Three reasons your independent film or television project needs a clean chain of title.

September 14, 2022 by Dane Johnson

Where is the title to a film or television project? If your first thought was something like in an animated opening sequence starting off with James Bond turning abruptly to camera with raised .25 Beretta, in a continuous opening shot of “The Player” heading across a studio lot, or in disturbing typography like Se7en, you’re thinking of the wrong titles. This kind of title is critically important, of course. But unlike the title in your film’s chain of title, it’s unlikely to stop your project from ever being seen.

That’s because chain of title in the film industry refers to the ownership of intellectual property rights, life rights, and other rights involved in a cinematic project. The “chain” is a series of documents that link current ownership of those rights to their original owners. One link might be rights of publicity that belong to the subject of a life story. Another might be copyright in a screenplay or the literary fiction, short story, or comic on which it is based.

Independent contractors and indie films: Police officers not production employees on low-budget shoot per California Court of Appeals.

September 6, 2022 by Dane Johnson

Entertainment law case updates

Michael Estrada v. Scars of the Mind Motion Picture Company
Cal Ct App August 31, 2022

Whether production crew members on low-budget indie films are employees rather than independent contractors is an extremely important business and legal affairs issue for film producers. That’s because a production company that allegedly fails to pay workers as employees if required to do so can face wage demands, fines, penalties, and the need to defend themselves in court. It’s exactly what happened to the filmmakers behind “Acts of Desperation,” an indie motion picture filmed in Los Angeles in 2018 by Scars of the Mind Productions.

YouTube fails to block Grammy award-winning musician Maria Schneider’s Content ID litigation as district court denies motion to dismiss.

August 8, 2022 by Dane Johnson

Maria Schneider, et al. v. YouTube LLC, et al.
USDC ND Cal August 1, 2022

The U.S. District Court for the Northern District of California recently denied defendant YouTube’s motion to dismiss the first amended complaint filed by Grammy award-winning musician Maria Schneider in her copyright infringement class action against the popular video streaming platform.

Bill & Ted’s Excellent Licensing Agreement: Ninth Circuit holds that damages for undiscovered copyright infringement are not limited to three years.

July 19, 2022 by Dane Johnson

Starz Entertainment LLC v. MGM Domestic Television Distribution LLC
USCA Ninth Cir July 14, 2022

In Starz Entertainment, LLC v. MGM Domestic Television Distribution, LLC,¹1. No. 21-55379 (9th Cir. July 14, 2022). the U.S. Court of Appeals for the Ninth Circuit affirmed the district court’s denial of a motion to dismiss copyright infringement claims as barred by the three-year statute of limitations under the Copyright Act.²2. 17 U.S.C. § 507(b).

Why you should consider using product placements to finance and promote your independent film production.

June 30, 2022 by Dane Johnson

Advertisers are increasingly searching for more and better opportunities to place brands and products into films and television productions. Variety this week reports that global advertising group Interpublic has announced a new data analysis product planned for internal use in finding movies and broadcast and streaming series that “will serve as a good fit for in-show product placement.”

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Orphan works, fair use, and criminal copyright infringement: First Circuit upholds conviction for copying movies from old VHS tapes.

June 29, 2022 by Dane Johnson

United States v. Gordon
USCA First Cir June 23, 2022

In United States v. Gordon,¹1. No. 21-1023 (1st Cir. June 23, 2022). the U.S. Court of Appeals for the First Circuit upheld the criminal conviction of “a film buff since childhood” on two counts of criminal copyright infringement. The Copyright Act prohibits any person from “infring[ing] a copyright willfully and for purposes of commercial advantage or private financial gain . . . .”²2. 17 U.S.C. § 506(a). The defendant, Douglas Gordon, testified to believing that selling DVDs of movies copied from old VHS tapes was not infringement because nobody appeared to own the rights and argued that the evidence was insufficient to find willfullness. While perhaps mildly sympathetic to the “orphan works” problem in copyright law, the court concluded that the jury could easily have found knowledge that unauthorized duplication of even not widely available movies was illegal.

Hollywood star Mary Pickford’s landmark million dollar deal, 106 years ago today.

June 24, 2022 by Dane Johnson

On June 24, 1916, Mary Pickford signed an agreement rivaling the best that any modern Hollywood dealmaker could negotiate. Adjusted for inflation, the $10,000 per week in compensation that her motion picture contract with Paramount Pictures co-founder Adolph Zukor’s Famous Players Film Company provided for is equal to about $270,682 today. On top of that, profit participation gave her 50% from each film, with guaranteed compensation equal to about $19,600,000.

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Oregon film and television tax incentives for labor and vendors increase July 1, 2022.

June 21, 2022 by Dane Johnson

The glorious rain-free days of summer in Oregon will soon be here. Even better this year are new increases to the state’s film and television production tax incentives effective July 1, 2022. Using Oregon’s film and media incentive programs, producers may be able to rebate 20% of Oregon-based goods and services. An additional cash payment of up to 16.2% of payroll wages paid to production personnel working in the state may also be available. Oregon Film has announced that “this will increase to a 25% rebate for both labor and vendors as of July 1, 2022.”

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Indie producer film budget alert: SAG-AFTRA film and television performer minimum scale goes up July 1.

by Dane Johnson

Independent producers know full well how important it is to keep production value high and film budgets low. Productions using SAG-AFTRA talent should be alert to the pending increase in scale rates under theatrical, television, new media, and other SAG-AFTRA agreements. As of July, 1, 2022, rates for union performers are expected to increase by several percent. Exact figures await final decisions by the union on pension and welfare plan contribution amounts.

SAG-AFTRA rates are the minimum amounts that actors and other performers represented by the guild are required to be paid on a project. Rates are set in the Collective Bargaining Agreement (“CBA”), which is the entertainment guild contract to which a production company that wants to use union talent needs to agree before the talent can work on the film or show.

Motion capture tech inventor’s intellectual property claims alleging infringement by Disney moving closer to termination?

June 15, 2022 by Dane Johnson

Rearden LLC v. Walt Disney Co.
USDC ND Cal June 8, 2022

Several years ago in 2017, Rearden LLC, inventor of the MOVA Contour Reality Capture Program (“MOVA”) software for capturing facial expressions filed suit alleging copyright and trademark infringement by the Walt Disney Company and Twentieth Century Fox arising out of several summer tentpoles. Dismissed in part since then, the case’s remaining intellectual property infringement claims now appear closer to fading to black. The District Court for the Northern District of California recently granted Disney’s motion for partial reconsideration of the court’s denial of summary judgment for the defendants as to three films: Beauty and the Beast, Guardians of the Galaxy, and Deadpool. The court granted summary judgment as to four other features: Terminator: Genisys, Avengers: Age of Ultron, Night at the Museum: Secret of the Tomb, and Fantastic Four. Disney did not move for reconsideration as to Beauty and the Beast.